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David Kapp: Painted Streets/Urban Grids by Robert G. Edelman
David Kapp has been painting the urban landscape, in particular New York City, in all its relentless pace, irresistible dynamism and precarious balance of order and chaos, for some twenty years. As his powerfully wrought paintings attest, through their gradual and distinct evolution over two decades, his subject matter has grown with him, that is to say, his familiarity with this formidable city is reflected in the clarity and accuracy of his vision.
Stuart Davis in Gloucester, Essay by Karen Wilkin & Selected writings of Stuart Davis
Davis' experience of Gloucester and the North Shore was not only paramount to his early understanding of Cubist space and fragmentation, but formed the basis of his mature aspirations for what a picture could be.
Brenda Zlamany: The Skin and Body of Looking by John Yau
At once sensual and remote, insistent and reserved, tactile and reflective, Zlamany's stark yet opulent paintings compel the viewer to reconsider the nature of, as well as the desire for, representational images.
James Barsness: The Spirit of the Doorway by Thyrza Goodeve & A Discussion with the Artist
Barsness's aesthetic has the disruptive intelligence of the trickster, the spirit of the road at dusk, the one that runs from one town to another and belongs to neither.